News
📆 Wednesday 11 March 2026, 18:00 - 20:30
Screening of the film by Kirill Serebrennikov "The Disappearance of Josef Mengele"
The only screening in Poland. A film that is impossible to remain silent about.
The Disappearance of Josef Mengele is the new film by Kirill Serebrennikov, one of the most distinctive and daring voices in contemporary cinema.
📆 Wednesday 18 March 2026, 19:00 - 21:00
📍 EZHEVIKA Fashion Store, Warsaw
Varvara Shmykova | Screening of Short Films and Conversation with the Audience
Varvara Shmykova is a theater and film actress who has worked with Andrey Zvyagintsev, Kirill Serebrennikov, and other notable directors of contemporary cinema and theater. In the intimate atmosphere of this evening, we will watch two short films featuring her — "Varya" by Nika Gorbushina and "Inflatable Bear for an Hour" by Elizabeth Verkhoshin — and talk with the actress about her profession and life, working with directors, moving and the new reality, and how an actor's fate changes over time. After the screening, there will be a live conversation with Varvara and questions from the audience. The meeting will take place in a small circle and conclude with informal communication.
📆 Friday, March 20, 2026, 19:00 - 21:00
📍Wola, ul. Jana Kazimierza, Warsaw
Film night. Rainer Werner Fassbinder - film screening and discussion
The second meeting of the series "Faces of 20th Century Cinema" will take place in a new format: this time we are preparing a screening of Rainer Werner Fassbinder's film "Fear Eats the Soul" and a discussion afterwards. The format changes, but the main thing remains — a careful look at cinema as a statement. Plus, we add what people usually come for: the opportunity to experience the film together and analyze it immediately while the impression is still "fresh."
📆 Friday, March 13, 2026, 19:00 - 21:00
📍 EZHEVIKA Fashion Store, Warsaw
Cinema of the 20th Century in Faces - a series of lectures by Denis Segeda in Warsaw Jan Švankmajer
Jan Švankmajer is a director who has combined animation, surrealism, and philosophy into a single language. We will discuss how his films work with bodily memory, fears, and repressed images, why he turned to the genre of philosophical horror, and how he used absurdity and grotesque to critique ideology and modern civilization. This lecture will help you see Švankmajer's cinema not as an experiment, but as an accurate and unsettling statement about humanity and freedom.


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